Tolkien’s The Hobbit, fans of the 1937 novel began pondering the ways in which the mighty dragon Smaug could be brought to life on the big screen with all the majesty of his literary counterpart. Previously, we explored the breathtaking visual magic of outer-space thriller Gravity, the process of building the San Francisco cityscape of 2259 for Star Trek Into Darkness, the task of animating an army of automated suits of armor in Iron Man 3, and the trouble with trains in The Lone Ranger. Next, we look at The Hobbit: The Desolation of Smaug and the way director Peter Jackson brought the film’s fearsome, fire-breathing dragon to life.įrom the moment that plans were first announced for a live-action adaptation of J.R.R. In recognition of these five films and one of our favorite Oscar categories, we’re putting the spotlight on one “Visual Effects” nominee each day leading up to Sunday’s broadcast and taking a closer look at what made them stand out. Five films are nominated for an Academy Award in the “Visual Effects” category this year, and they each offer a nice look at the amazing tricks filmmakers and their effects teams can pull off on the big screen.
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